I worked for UPP, which handled the VFX post-production for the feature film *Carry-On*. My work focused on digital matte painting: creating and editing digital environments and visually enhancing scenes. The emphasis was on realistic integration into live-action footage, and working with lighting, perspective and colour in line with the film’s visual concept and the technical requirements of the VFX pipeline.
I take client confidentiality and the protection of intellectual property seriously. Internal processes, technical infrastructure and the behind-the-scenes aspects of the project remain confidential.
| directed by | Jaume Collet-Serra |
| producers | Dylan Clark |
| studio | Netflix |
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