Conclave.
I worked for UPP, which handled the VFX post-production for the feature film *Conclave*. My role involved digital matte painting: creating and editing digital environments and enhancing scenes visually. The emphasis was on realistic integration into live-action footage, and working with lighting, perspective and colour in line with the film’s visual concept and the technical requirements of the VFX pipeline.
I take client confidentiality and the protection of intellectual property seriously. Internal processes, technical infrastructure and the behind-the-scenes aspects of the project remain confidential.
| directed by | Edward Berger |
| producers | Juliet Howell, Michael Jackman, Tessa Ross |
| studio | Focus Features |
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