I worked for UPP, which handled the VFX post-production for the feature film *Black Adam*. My work was in the field of digital matte painting: creating, extending and editing complex digital environments, destruction shots and visual enhancements for large-scale action sequences. The emphasis was on photorealistic integration into live-action footage, atmospheric depth, and consistent lighting and colour in line with the film’s gritty mythological aesthetic and the high technical demands of the studio’s VFX pipeline.