Matej Juhár participated in projects carried out for UPP, which was involved in the VFX post-production of the feature film Gran Turismo.
As part of this collaboration, work was carried out in the field of digital matte painting, focused on the creation and visual expansion of racing tracks, urban and technical locations, as well as atmospheric enhancements to scenes supporting the dynamics and scale of the motorsport world. The work was carried out in accordance with the technical requirements of the VFX pipeline and the distinctive visual style of the film.
Creative Leadership
Director: Neill Blomkamp
Producers: Doug Belgrad, p.g.a., Dana Brunetti, Asad Qizilbash, p.g.a., Carter Swan, p.g.a.
Studio / Sony Pictures
I value my clients’ trust and the protection of intellectual property. Internal processes, technical infrastructure and strategic behind-the-scenes activities remain behind closed doors. I only release completed, official reports to the public – and if you’re looking for my name in connection with specific productions, you’ll find it in the official credits…
Well, not always :(
